Dear Twitter, we need a break

I’ve been falling out of love with Twitter in recent weeks, so much so I felt compelled to write about why.

I can definitely see the benefits of Twitter. Here are some:

  • It can be used to promote new blog posts, releases, products etc. In fact I have been invovled in using it as a marketing tool and it was invaluable.
  • You can create communities and easily find like minded people and those with shared interests (especially since the addition of Twitter lists).
  • I have ‘met’ some fantastic people via Twitter and enjoy conversing with them and learning from them.
  • It is perfect for utilising the knowledge and contacts of others. When I was made redundant the support of my Twitter pals and the number of job leads I received from them was incredible.
  • It is a good tool for encouraging healthy debate and sharing opinions.
  • It is a great platform for sharing wisdom, articles, asking questions and generally having access to a plethora of people that you would never normally be able to contact so easily.

Too easily?

But therein lays a problem. With many people able to connect so easily it leads to trouble. Here are some reasons I’m falling out of love with Twitter and please note that I have no quarms in admitting that I have been guilty of some of this myself too:

  • Tweets can be taken the wrong way by those reading them
  • People can make the tweets be about them and start unnecessary bickering
  • Tweets can be used to target others negatively in an anonymous way
  • Some tweeters seem to think that someone with a different opinion to them is wrong.
  • People can join in conversations on Twitter part way through and again, take things out of context
  • A lot of people moan on Twitter (I have) and sometimes you just don’t wanna see moany tweets in your stream
  • It is a breeding ground for snide remarks, flipant comments and if truth be told, bitchiness.

Truncated Communication.

I think a big contributor to these negative aspects of Twitter is what I call, truncated communication. We are restricted by 140 characters or less so we have to choose our words wisely. At times we have to omit words and this can have a big impact on what we are trying to say.

A word, or lack of, can change the context of a tweet or accidently make a tweet seem negative, aimed at specific people/groups, or cause knee-jerk reactions which create conflict when there is no need.

Tone of Voice.

It is so easy when reading tweets, and this applies to emails too, to misinterpret the tone of voice in which something was meant.

If I were sat opposite someone, my tone of voice would communicate if I was being sarcastic, saying something in jest or down right livid. With online communication we don’t have this luxury and whilst a tweet might be sent innocently, we have no control over how the readers of that tweet will interpret it.

A 😉 or a 🙂 helps at times but there aren’t always enough charcters to tack one of these on the end!

Too easy to respond,

When we see a tweet that might annoy us or upset us then it is too easy to type a response and post it. Once that moment of retaliation or anger has subsided it’s too late. The tweet is already out there in the public domain. That’s why it is so important that we should all think before we tweet.

Practicing what I preach.

I’ve been more mindful of how I tweet lately and I do use Twitter less than a few months ago. In fact I think I’m going to take a back seat from it for the foreseeable future, simply using it for new blog posts like this one. I will watch what is going on but don’t think I will contribute as much for a while.

Likewise I once lived happily not knowing what people were eating or watching, not knowing where they were going or have just returned from. I’m going to review the tweets of those I follow and see what, for me, is noise and what is of interest. I’m not in any way trying to tell people what they should tweet, it is freedom of speech and people can and should say what they like (provided it is considered) but does it bring value to my life? I’m not sure it does. I didn’t need this information before, so why now?

In short …

I suppose my issue isn’t with Twitter itself but those that use it. Maybe the answer is to change the people I follow? I guess that Twitter is the vessel through which this communication flows and perhaps unfairly I am shooting the messenger here.

That said, I might start to fall in love with Twitter again after a cooling off period but for now it’s moving down my list of communication tools and I won’t be opening Twitterific this week in work. I will of course be using it to promote this blog post and if someone shares something of interest then I will click the link or retweet and so on but I’m afraid dear Twitter than for now at least, you will be sleeping on the sofa!

Am I overreacting? Please share your thoughts below.


Creative Processes

Our lives are dominated and controlled by processes. Registering on a website, signing in and out of websites, filling out forms for endless life laundry tasks, if we stop to consider all the formulaic behaviour we have to endure then it is clear how often we find ourselves moving through a process of some sort.

Finding structure in the chaos.

As a Project Manager I have a daily process or work method that allows me to do my job effectively. As a writer I have a less defined method when I settle down to write something, as creativity can’t be scheduled or predicted, but I often goes through stages of  brainstorming on post it notes, typing more detailed outlines, then writing draft one, two, three and so on. My writing method also includes blood, sweat, tears and an endless supply of coffee. Those last few are guaranteed.

The process of others.

It is with great interest then that I learn about how others work and it fascinates me how a designer, writer, director or other creative soul turns the very early idea into the final polished website/article/film.

I’ve recently been reading The Art of Wall-E by Tim Hauser and Andrew Stanton, a stunning book that chronicles the production of the film Wall-E from conception to release. Here are some pics from the book:




It makes for an insightful read into how a film, for the most part without dialogue, was put together, discussing visual storytelling techniques and all other strands that are involved in the process.

Illustrating the process.

On his website, illustrator Quentin Blake highlights his creative process by showing his rough sketches through to the polished pages. He also has a slideshow of his workspace and tools, both integral to any creative process. For those who aren’t familiar with his work, he illustrated the Roald Dahl books. An example is below and I urge you to check out his website where you can also see videos of him in action.


Start to finish (and everything in between).

Thinking back to the web, every design project goes through a creative process and it’s important for peers, prospective clients and for your own record, that these projects are well documented from start to finish. A portfolio is fine for showcasing the visuals but for a real insight into the effort, concepts, ideas and final design there is nothing better than a case study.

Case Studies

Some people loathe them, but presented in an aesthetically pleasing way with well written copy, case studies can and should be a key component of any website for people involved in creating and designing.

One of my favourite websites for how they present their own work is Huge:

Scholastic Case Study - HUGE (20091106)I’m also a big fan of Squared Eye and their case studies, leading the reader through the project step by step and making it clear what services they contributed, the challenges they faced and most importantly, the end result.

Family Life Network - a case study of Squared Eye, the web company with a monstrous appetite for details! (20091106)

Case studies are an opportunity for you to tell your design story and they should be written accordingly. Who are the characters involved in the project, what was the beginning (the brief), the middle (the creative process) and the end (the finished product).

As with all captivating narratives, challenges should be included along with how they were overcome (if they were) and every step of the project should be included.

And finally …

Check out the methods other agencies and people adopt. They won’t necessarily fit your own work ethic or clients but we can learn from others and improve our own creative processes. Just remember to document it and share it with others.

Me, My Words, the Web

It’s Sunday morning, a time when I can get away with being lazy, so this blog post is a little bit lazy too. I’m going to bring together some of my articles that have featured on other websites or in magazines because I thought if you are kind enough to read this then you may be kind enough to read some of my other musings.

Think Vitamin

I recently wrote an article for Think Vitamin called How Colour Communicates Meaning. It is a huge topic and this article just scratches the surface but it led to some very insightful comments and discussion from the readers and had 306 tweets to the link!

This article was also mentioned on Paul Boag’s podcast a couple of weeks ago. You can listen here, if you so wish:

Fuel Your Motionography

I am a guest writer for Fuel Your Motionography. This is a new site that launched a few days ago and it sits under the ‘fuel’ umbrella of sites that include Fuel Your Branding, Fuel Your Writing, and Fuel Your Creativity.

My first article for them is about 3D Films, the good, the bad, the future?

My second is about the Uncanny Valley theory.

Although I am trying to carve a name for myself in the web, my number one passion is films and being able to write about these as a side project is great fun. I will be writing more for Fuel Your Motionography so hopefully these articles will be of interest to you too.

.Net Magazine

When I worked at Mark Boulton Design I was lucky enough to write two articles for .Net Magazine as part of a 6 article series that looked at how to be your own boss and start/run your own design agency.

My first piece was about winning clients and featured in Issue 189. The second piece looked at being organised and that was printed in Issue 191.

Real Travel Magazine

Long before I stepped into the murky world of ‘the web’, I used to dabble with travel writing. I have been printed in two national publications, one of which has now put my article online.

I worked in New Zealand for a year and spent 1 month on a farm, I wrote about my experiences here:

Huw David Design

This is my new workplace. It is a design agency located on a farm just outside Cardiff. There are exciting times ahead for Huw David Design including a new studio website, a re-brand and our studio is getting a bit of a makeover too. We will be blogging and tweeting more and more as events unfold and it would be great if you came along for the ride.

So if you wish to follow the latest news from the farm on Twitter then you can find us here: @huwdaviddesign

Our blog is where we talk about anything from new projects to beautiful design work we have stumbled upon, branding stories and anything else that gets our attention. I hope to be posting regularly on the company blog and helping HDD get the attention it deserves.

That’s it. A lazy blog post for a lazy Sunday morning. Now I have lots to write so that this list can continue to grow!

Our World. Our Design Inspiration.

Inspired by…

This week I was inspired by two posts. One by Huw David Design where Huw and his team take a photo of  ‘my favourite …’ each week.They post a photo and discuss their favourite anything, could be a tv show, a sign they have seen, some artwork and so on.

The second was a blog post by Ryan Carson that discusses how deep thinking time is needed in a world where we are constantly zapped by the media, social networking tools, and so much more.

The point?

What both these posts emphasise together is that we live in such a fast paced communication heavy world where we always seem to be in contact with someone or something, yet we rarely have time to stop and take time to absorb the world around us. A world that can be extremely inspirational.

I recently became the proud owner of two rascal dogs and even through them I have discovered or rediscovered a whole new world on my doorstep, that includes beaches, forests, and dinosaur fossils.

So I applied this to my house. I move around my house everyday not taking any notice of why we fell in love with it in the first place or why we like living there. Yet our house is full of the results of many design decisions and full of original features, so I set about rediscovering them, with my camera, and I want to share 5 of my favourites with you.

1. Tiles in our porch.

Our house is a 1919 mid terrace and thankfully it has retained some of its old features, including these tiles:


2. The stairs

When I painted the stairs I felt like an artist 🙂 The detail in the woodwork is intricate in parts and they make for a great welcome when we come home!


3. Archway

In between the aforementioned tiles and stairs we have this archway. Common in this type of house  but often boxed in or removed, thankfully ours was in tact.


4. Chimney Breast 1

The chimney breast in one of the spare bedrooms. Cleverly decorated by my multi talented girlfriend. Ok so they are transfers and not hand painted but there is no way I could have lined them all up as nicely as this:


5. Chimney Breast 2

One of the chimney breasts in the lounge had been boarded up. A hammer and clean up later and hey presto, a nice feature and as recently discovered, a hideaway for one of the dogs! (She went in there herself, I didn’t make her!)


To conclude …

We are often making personal design decisions, even people like me who is far from a designer! Those decisions are influenced by the media we consume, our culture and our environment. That’s why, as Huw David Design and Ryan Carson provide examples of, it is important to find time to take stock of the world around us and ensure we don’t become desensitised to our surroundings because we could be passing by some vital inspiration.

Storytelling Through Brands.

What’s it all about?

Brands tell stories. It doesn’t happen overnight but over time certain brands become bigger and permeate our lives to the point where they become part of our culture. It might be that they fill a gap in the market, gain international status, market themselves so intensely and cleverly that we simply cannot ignore then, or maybe they simply have a kick-ass product or service that everyone desires.

One thing is for sure though, most have grown from humble beginnings.

I’m not talking about your average company here, I’m talking about the powerhouses that we recognise just by catching a glimpse of part of their logo, or the sort of company that you can almost guarantee to find no matter where in the world you might be. Coca-Cola, McDonald’s, Starbucks, Sony, Tesco, Heinz, Apple, Google, Marks and Spencer e al.  All have iconic logos and brands that we recognise, usually trust, and often choose over rival products.

Markets are saturated these days. There are dozens of choices of brands and the company’s that stand out from the crowd are not always the best ones, but the ones that make the most noise and tell the right story.

How do brands tell stories?

It’s all about building blocks and bringing together several strands. Let’s break it down:

  • Values
    Any successful brand will be born out of carefully chosen values. They may not be explicitly written on the product or marketing material but chances are the company will have thought of a mission statement and values that they want their company to represent. They may not always live up to the values either, but they are idealistic and help to sculpt the brand and story. These values underpin everything that follows.


    Common brand values include trustworthy, reliable, honest, and open.

  • Logo
    A good logo can make or break a company. Despite our lives being bombarded with choices we can still recognise one company over another just from their logo. The old saying tells us that a picture paints a thousand words and never is this more true than in relation to branding. If we spot a logo that we recognise then we will associate that with our experiences, knowledge and expectations from that company.


    The best way to demonstrate the power of logos is to look at some:




  • Of course these are the logos for Twitter, Starbucks and Google. Let’s take the Starbucks logo. When I see this I know I will get a comfy warm setting in which to sip my tasty warm coffee whilst chatting to friends. For me the Starbucks story is all about meeting friends and catching up over a coffee, or having an informal work meeting, or grabbing a coffee whilst on the go. I know what I will get and I only need to see a hint of that green logo in order for that to be communicated to me.
  • Strapline/Slogan
    The short snappy text that anchors your logo adds to your story. In fact if it is written in a certain way, the slogan can be the story just in very short form.


    Again, this sort of speaks for itself so let’s look at some examples and think about the story they are both telling and contributing to:

    • Orange – The future’s bright, the future’s Orange
    • Apple – Think Different
    • Tesco – Every little helps
    • Nike – Just do it
    • British Telecom – It’s good to talk
    • Cadbury Milk Tray – And all because the lady loved Milk Tray
    • Carlsberg – Probably the best lager in the world
    • KFC – Finger lickin good
  • Colour
    As I have previously discussed on my blog, colours have hidden meanings and connote certain values and messages. Yellow is associated with happiness, blue can be calm and cool, green often has links to nature and red can connote love, passion or danger. That said, the dominant colour of a brand is important in telling the right story. For example, if your brand values are all about being environmentally aware then this might best be communicated through green.
  • Marketing
    A crucial element to building any brand and one that can fail spectacularly. With today’s technology, we can tweet about adverts, share opinions on a product or company, and audiences seem to have more influence now than ever before. When it comes to marketing though, you just can’t beat a good idea!


    It is important to remember that just because everyone knows your story (in the case of the big brands), it doesn’t mean you should stop telling the story. There are always new audiences waiting to be discovered and new ways of telling the same story.

    Successful marketing campaigns are the ones that people talk about long after the advert has finished. The format and content of the marketing will add to the brand story. If you want to promote yourselves as being relaxed, approachable and fun to work with then make sure this is clear in your marketing campaigns.

  • Story
    There has to be a story to tell. Whether that be how a small coffee house in Seattle became one of the most recognisable brands of today, or how two men added a special waffle pattern to his shoes to help him run faster, naming the shoe after a Greek goddess, the shoe became and still is a worldwide success (Nike).


    But how you tell the story is almost more important than the story that is being told. Cue the case study.

I’ve got a golden ticket!

Yesterday I visited Cadbury World in Birmingham. This was an interesting couple of hours, not only from a chocolate loving perspective, but from a brand and marketing stance.

The first thing of note was the colour. Everywhere I looked purple was staring back at me. From the big sign on the way in, to the handrails around the factory, the wrappers of the chocolate to the uniforms of the staff. Purple is Cadbury and Cadbury is purple!

Logo 1

Logo 2

Logo 3

It takes a long time for a brand to be so successful that a single colour can remind us of it. Here is a surmised Cadbury timeline:

  • 1824 – John Cadbury opened his first grocer shop
  • 1866 – Cadbury start to sell Cocoa Essence
  • 1897 – The first milk chocolate for eating was launched
  • 1905 – Cadbury Dairy Milk is born
  • 1915 – Milk Tray make their debut
  • 1928 – The glass and a half logo is used for the first time
  • 2003 – Cadbury become the world’s number 1 confectionary company

Ok so a lot of hard work happened between 1928 and 2003 but as you can see, Cadbury have been around for a lot longer than anyone reading this blog post! That means we have known their products, logo and brand for all of our lives and as purple is the consistent colour across all their marketing and advertising it is no wonder that the association between purple and Cadbury is an easy one to make.

The significance of purple.

I don’t expect that when the branding for Cadbury was being decided, there were many in depth conversations around the connotations of colour, yet it is significant nowadays.

In the western world, purple is a colour that is said to represent luxury, royalty, the finer things in life, and even wizardry. These are pretty good values to market chocolate as. It is often seen as being an indulgence, a luxury, a treat, and the packaging that the chocolate arrives in reinforces this belief.

As purple represents these values and Cadbury use purple as their dominant brand colour, then Cadbury are associated with these values too. In that case, we are more likely to see Cadbury as being luxurious and indulgent than we are the colour purple (as we don’t often stop to think about hidden meanings in colour) and that in turn reinforces the idea that purple is a colour of luxury and indulgence, and so the cycle continues.

Of course this is all helped by other elements such as the style in which Cadbury is written and the fact that chocolate for many people is the absolute meaning of life!

Appealing to the masses.

The second thing of note was the crowds. There were literally hundreds, if not well over a thousand, visitors. What is it that draws people to Cadbury World in such high numbers?

It undoubtedly has to be two main reasons. 1, people love chocolate, and 2, the Cadbury story.

Cadbury have one strong advantage to play with and that is the wonderment of making chocolate. Books and films have romanticised what is in reality, a rather dull production process. But we can’t help but be curious about what magic is happening behind the imposing factory gates that so many average joe’s get to pass through.

The other strength for Cadbury is the fact that it is so old. There is something inside us that jumps for joy when we reminisce and look back to days gone by. Cadbury World plays on the nostalgia at every opportunity, retro posters of their packaging, videos of the past adverts, and indeed the history and story of the company are constantly made visual during a visit there.

Telling the story … again … and again … and again …

When it comes to marketing, Cadbury could teach us all a thing or two. They could probably get away with never airing another advert again. But they do. And they work on so many levels.

They work because they are creative and just when we think we know all about Cadbury, they surprise us and get us all talking again. It’s the same old story but repackaged. There is a whole section in the Cadbury World experience that is dedicated to their adverts.

I was fondly reminded (there’s the nostalgic thing again) of the “everyone’s a fruit and nut case” advert, the “a finger of fudge is just enough” song, the Cadbury sponsorship of Coronation Street, the rollercoaster advert for Crunchie that looked like it was made of chocolate, and more recently, these two:

Quite what they have to do with chocolate I don’t know. They have been spoofed, recreated and written about countless times though. Cadbury is still making positive headlines almost 200 years after they first set-up shop.

Listening to the audience.

Despite their global dominance Cadbury are still able to listen to their audience. This should never be underestimated. People set up Facebook groups and led a campaign to bring back the Wispa chocolate bar. They succeeded.

Consumers spoke and Cadbury listened, shining yet another positive light onto the company and adding a new chapter to their story.

Quite where the Cadbury story will end I don’t know. I guess the key thing is that they refuse to be silent. They have worked hard to grow and create a brand that has now become part of our culture. They also seem intent on retaining this position and are always thinking of new ways to achieve this. Whether you like chocolate or not, there is no denying that Cadbury have created a brand that perfectly tells their story. And they keep telling it. And it keeps working, so much so that I now need to go and get some Dairy Milk. I’m confident that I will be able to spot it immediately on the shop shelf amongst all the other chocolates. I’ll just keep an eye out for the shiny purple wrapper.

Subliminal Messaging

In light of my recent infatuation with the topic of ‘invisible’ communication, I am moving on from body language to talk about subliminal messages.

These are defined on Wikipedia as:

a signal or message embedded in another medium, designed to pass below the normal limits of the human mind’s perception. These messages are unrecognizable by the conscious mind, but in certain situations can affect the subconscious mind and can negatively or positively influence subsequent later thoughts, behaviors, actions, attitudes, belief systems and value systems.

With that in mind, subliminal messaging can be a powerful communication tool, and as we live in a world where sex sells, it makes this invisible layer of communication even more influential.

Sex does indeed sell.

In fact sex has become a commodity so it seems only natural that many subliminal messages are related to sex. It is best to show this through examples so where better to look than at the films of Disney!

Hold on! Disney? Yep, Disney films are rife with sexual references, imagery and ‘hidden’ messages. Before I proceed, these are just my thoughts on possible hidden messages within Disney films! Please don’t sue me House of Mouse!

Right, legalities over with, let’s start with my favourite Disney film.

The Lion King

When Simba relaxes under the night sky, the stars above can be seen to spell out ‘sex’. The animators claim it says ‘SFX’ as a signature to their work. I’ll let you drawn your own conclusions:

Lion King - Subliminal Message

The Rescuers

There is one scene with a rather naughty image in the background. This was admitted by Disney and the film was recalled in the 1970’s and this image did not feature in the 1992 VHS release. See it for yourself:


The Little Mermaid

The cover artwork for this film, undoubtedly features a penis. Apparently the artist intended for this to feature but admitted that it was perhaps a little too obvious. Here is the cover:


Look a little closer though:ewwwwwdisneyisapervetjv7

Whilst this is quite explicit, it is still subliminal in the sense that we may not consciously notice references like this until they are pointed out to us. From afar it is quite subtle.

Who Framed Roger Rabbit?

It may only last for two frames but Jessica Rabbit does indeed do a ‘basic instinct’ as she exits a taxi, perhaps setting the benchmark for trashy drunken celebrities here after.


Beyond the few examples show above, it is also suggested that the personalities of the Seven Dwarfs represent the seven stages of cocaine addiction, Aladdin tells teenagers to take their clothes off in one scene, and the minister becomes, ahem, aroused, in the wedding scene of The Little Mermaid.

It’s not just Disney who are at it.

Whether these examples are real or not, it is important to remember that things are not always as they seem. As well as subliminal messaging in films, song lyrics can have hidden meanings (often related to sex), paintings can include subtle referencing, and adverts often have a distinct sexual undertone.

It is a proven effective way of communication. This video, whilst not the best quality, shows some examples of subliminal messaging:

For me it comes back to asking questions about the texts we consume. If we take things at face value then we risk missing out on a whole new level of the film/song/advert. It is good to challenge the assumptions and ‘read’ texts. Once you know what to look for it is surprising just how much can be read into texts and films are by far the easiest to study.

Does it happen online?

Do subliminal messages exist online? I haven’t stumbled upon any websites as examples but I’m sure they must exist. Maybe next time you are designing you can sneak in a phallic symbol or two! 😉

If you have your own examples, please leave a comment here as I would love to hear and see them.

Invisible Communication

Human communication consists of 93% body language!

Arguably then, 93% of what we communicate is invisible. Not literally as it is there on show and if you know what to look for you can read someone’s body language to understand what they ‘really’ mean, but how often do we do that, we tend to focus on the words they are saying when there is a much deeper level of communication happening in their gestures, posture, handshake, facial expressions and smiles.

In the name of research I have recently been reading a book called The Definitive Book of Body Language by Allan and Barbara Pease.

It is a fascinating book on this topic and here are some of my favourite nuggets of information from that book:

  • It is proven that less than 5% of people can identify the back of their hands from a photograph (so be careful next time you say ‘I know it like the back of my hand’)
  • Phrases we use highlight the importance of body language to our communication, get it off your chest, keep your chin up, face up to it, put your best foot forward, and shoulder a burden are just a few examples.
  • Anthropologist Ray Birdwhistell estimated that we can make and recognise around 250,000 facial expressions (dare you to try and find them all)
  • 7 out of 1o people cross their left arm over their right arm.
  • There are many cultural differences but the basic body language signals are the same everywhere. One universal gesture for example is shoulder shrugging.
  • Modern humans are worse at reading body signals than their ancestors because we are now distracted by words.
  • A natural smile produces characteristic wrinkles around the eyes – insincere people smile only with their mouth.
  • Science has proved the more you smile the more positive reactions others will give you.
  • When you fold your arms your credibility dramatically reduces.
  • American television is the prime reason cultural body language differences are disappearing.
  • If you make a V sign with your fingers it can mean ‘two’ to an American, ‘victory’ to a German and ‘up yours’ in Britain.
  • When a man is excited by a woman, which part of his body can grow to almost three times it size? His pupils!
  • An American survey found the 3 words women would most like to hear from their male partner were not ‘I love you’. They were … ‘you’ve lost weight’.

This is by no means a definitive list and if it is a topic that interests you then I urge you to buy the book. It doesn’t end with people though. Invisible communication is all around us. An overview of some examples include:

Supermarkets – they are designed to make us buy things. It’s a science! Not only are we subconsciously made to buy lots of things but we are influenced to buy specific products the supermarket want us to buy. The biggest influencer is the layout of the store and positioning of the shelves.

Colour is used effectively, red for offers, green for fresh and so on. Popular brands are placed at the end of aisles to ‘welcome us’ to that section, fresh fruit is almost always placed as you enter the store as it says ‘we have fresh food here’, items like bread and milk are at the back as they are often items people need when doing a quick shop so they make you walk past everything else to get to them.

The trouble is, supermarkets don’t put the customer first, it’s all about the money for them which can make for a poor user experience for the shoppers

Airports – It is no secret that airports too are designed in a way that means passengers can get to where they need to without too much thought.

Different floor surfaces represent different areas and signage is vital. The most talked about airport is Schipol. Yellow signs here provide information, signs for cafes and shops are blue and green is used for escape routes.

A considered combination of terminology, colour coding, placement and fonts can make for a much more pleasant airport experience, subconsciously of course!

Advertising – this fascinates me. I like to think that I am not influenced by adverts, I am above it and I decide what to buy, not the global corporations.

If truth be told though, I am influenced by advertising. Again I think this influence is invisible in the sense that I may not see an advert and immediately rush out and by the product but next time I am in the supermarket I am drawn to it.

Messages are communicated to us which we think we ignore but perhaps we don’t. If you buy this aftershave you will be more like Ewan McGregor, eat this cereal and you will lose weight, wear this deodorant and you will be fighting the opposite sex off, and so the list could grow and grow as adverts use idealistic lifestyles to influence us. (a blog post on advertising is coming soon!)

Films – We may think we go to the cinema, we watch a film, we leave. Not so. Films are rife with character types, narrative twists and turns, storytelling techniques, and codes.

Throughout our childhoods and into our adult lives we learn about storytelling conventions and the characters of hero, villain, princess etc and even though we may not recognise it when watching films, we can often look for these characters and apply these storytelling methods to what we are seeing.

That’s why it works so well when the conventions are played with and turned on their head. (Lost for example!) Films communicate a lot more than what is presented literally on screen to us. This is also true of the media in general.

The web – And so to the web. Invisible communication is also present here. In the colours of websites, colours that can connote various messages to users and influence their moods and colours that have different meanings depending on which part of the planet you live.

Navigation should communicate to users too and if it is designed with the user in mind then they should be able to move around websites with little thought as to what we are clicking on, it is almost like an innate sense.

Navigation tells the story that guides the user to where they want to go without having to think about it. Stories have a beginning, middle and an end and this storytelling should be applied to navigation telling the user, where they have been, where they currently are, and where they can go next.

Signs and icons communicate messages to users too, we can see an icon and know instantly what it represents. If I see an envelope I can send an email, a green tick means go, proceed, ok but a red icon is likely to be a warning.

Types of websites also share conventions that could arguably mean that there are genres of websites. The words we use are important, the design/layout of a website creates the ‘scene’ and brings together all the elements of copywriting, colour, design, typography, navigation and so on, in the same way the scene of a film brings together the lighting, script, actors, set decoration and costumes.

So much to say.

This topic is deep and something else I will blog about in the coming weeks but nothing is as it seems, adverts, supermarkets, pictures, colours, websites, they are built with layers and if we peel back those layers then we can reveal some interesting insights into human behaviour, the media, and the web.